The artist exhibiting his work
in this dingy, downtown gallery
paints nothing but bowls of fruit.
Maybe he has some other
themes in his vapid repertoire
but all that’s here
from wall to wall
are bowls of fucking fruit,
ones so dull and trite
he should have handed us
espresso as we browse.
In a whisper,
I ask you if he’s ever read
the news, notices the homeless
in their rags a block away,
a mother selling her body
near the stoplight, kitty-
corner to where we’re trapped,
unwilling to cause this dilettante
offense,
that we’re pressed
by etiquette
to act like we’re
enthralled, eyeing every
stroke, insipid tint
and tone,
that we’ll be obliged
to tell this boring hack he’s great,
we’d love to take his card,
maybe purchase something later,
but before that dénouement,
here’s a banal bowl of apples
to make us think
life’s peachy-keen,
forget the Black youth
gunned by cops—
here’s a pair of
avocados
and the Residential
“schools”—
bananas have never
looked better
please don’t speak
of genocide—
the plums still have
their pits
and the earth getting
hotter by the hour—
see the orange
and its arc,
how fresh it looks
in my vessel,
its sweetness in my mouth
once I’ve put my brush away,
kissed the photo of my wife
snapped a day before she died.
Andreas Gripp
July 23, 2023
RF Image
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