It makes no sense at all that
Keats and Yeats
have never rhymed.
I don’t mean
that each had never
used the form in poems,
I mean the names them-
selves aren’t what they
seem to be:
“Keets” as in meets,
“Yates” as in mates,
although neither
ever met the other,
they couldn’t have been
good friends—
in the English
sense of the word,
being a pair of
generations
apart.
Perhaps it’s the
Anglo/Irish
dynamic,
the died-in-his-
blooming remembrance,
like a poetry’s Jimmy Dean,
struck down within his
prime, that draws me at once
to Keats,
while William Butler
paraded
his grey and glasses—
between the wars
to end all wars—
had much better things
to write of
than Grecian Urns,
an unrequited
love, for instance,
a Maud that rhymes
with God—
no-no,
not Monsieur
Rimbaud, he’s a
beast of another
kind,
a poet in a class
of his own, whose name’s
not apropos,
except to say that he,
like Keats and Dean and Plath,
knew when to cash the chips,
deem the straw
which had broken
to be the very final one,
be buried in his beauty,
forever be
forever young.
Andreas Gripp
RF Image
Precious Time
Someone on our tour opines
‘Why would anyone ever
want to waste an hour
in Rome
by going to the Keats and Shelley Museum
at the base of the Spanish steps?”
he seems to be saying
of poets and their poetry
oh, what a waste of precious time
to think of the young Keats
breathing his last
in the room
at the top of the house
his head on the slip of the pillow
dimpled and cold as marble
fallen there
the deadened wisdom of his statuary brow
with fever chiseled hair
while Fanny in her English grief
can’t catch her breath to hear the news
thinks nothing of his words
but…